22
THURSDAY, MARCH
13, 2009 Makars cash in on Shaw's Millionairess The Millionairess, performed by the Edinburgh Makars Adam House Theatre *** |
www.edinburghnews.com
EVENING
NEWS![]() MONEY SPINNER: The
Millionairess has all the hallmarks of a George Bernard Shaw play
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![]() Set in 1936, The Millionairess has all the hallmarks of a typical Bernard Shaw play. Entrenched, immovable class structures, the miserly rich and the generous poor, failed cross-class relationships and mercenary marriages. It's all about money, money, money. Fast-forward seventy odd years and it's still all about money, money, money. Untrustworthy bankers, greed, excess and failure: you can find it all here in The Millionairess. No wonder then that with the banking system crashing around them, George Bernard Shaw's prescient line 'you can't trust a bank with your money', drew a wry chuckle from the audience. |
Despite
the echoes of modernity, the Makars' rendition was true to the original
and was well received by the three-quarters full theatre. Played out
against the backdrop of a fantastic period set and costume design and
all dancing to the tune of jaunty pre-war gramophone music, the effect
was like being transported back in time. The dreary greys of the
furniture and upholstery clashing nicely with the bright costumes of
the richer members of the cast. This is a wordy play, with lots of subtleties and witty nuances but the Makars kept their audience well. Jo Barrow's Epifania dominated the stage for most of the performance but that was down to the actor's competence as well as Bernard Shaw's characterisation. Barrow's performance was energetic and colourful and her lines were delivered clearly and skilfully despite a few minor hiccups. The Millionairess is dominated by a single female character but also plays host to several other strong women managing to outmanouvre their men. |
Unfortunately,
this imbalance was reflected in the acting as the female
cast consistently outshone their male counterparts. The exception to
the rule was the most down-trodden man of the lot, Epifania's boyfriend
–
the dandyish Adrian. Like a character straight out of Oscar Wilde, he
brightened up every scene with his foppish playfulness and razor-sharp
wit. His line: "Why is it that the people who have no money are the
ones that know how best to spend it?" could have been lifted straight
out of The Importance of Being Earnest. It was so on the button it
earned his character a thump. Violence was another theme that continued to rear its ugly head in this play and for the most part it was the men who were on the receiving end. Epifania's men were slapped, punched, bullied and even thrown down the stairs. Having been a little thrashed onstage tonight by the female cast, the male Makars will surely come out fighting over the weekend. |
'It's
amazing how relevant the play is'![]() Irene McDougall, Marchmont: "It's
amazing how relevant the play still is even though it was written
before WW II. We all had a real laugh when they mentioned deceitful,
greedy bankers that you shouldn't trust with your money! That is what's
great about seeing a play like this coming back into the theatre; it
just shows you that things never really change."
Murray
Tyrell, Moffat: "I've come all the way from Dumfries to
see the play tonight as my friend is helping with the performance. I
used to follow, the Makars when I lived in Edinburgh and they always
put on a good show-tonight certainly wasn't a disappointment. The
acting was fantastic and I'm so pleased to see that the company is
still going strong." |